Fresh from taking out the Grand Prix award at Cannes, widely celebrated two-time Academy Award winning Iranian director Asghar Farhadi is back with a new complex morality tale that many are calling his best since the Oscar Winning A Separation.
A richly textured take on gossip, social media and public perception, A HERO follows Rahim (the brilliant Amir Jadidi) a down and out calligrapher who is stuck in prison for a debt he is unable to pay. When he is unexpectedly granted a two-day release, Rahim is presented with a golden opportunity to pay off his debt and secure his freedom.
But much like life itself, things don’t go as planned. In what is a Farhadi house style, moral conundrums suddenly abound. One simple decision sees Rahim celebrated, but quickly people, including importantly his creditor, begin to question the humble prisoner’s story. Tense, unpredictable and darkly funny, the drama that ensues is vintage Farhadi – all the way to the final scene. A frequent entry in many major outlet’s top 10 lists, the master auteur has once again made one of the most eagerly anticipated cinematic gems of the year.
After the death of her mother and having no other known relatives, Evie (Nathalie Emmanuel) takes a DNA test…and discovers a long-lost cousin she never knew she had. Invited by her newfound family to a lavish wedding in the English countryside, she’s at first seduced by the sexy aristocrat host but is soon thrust into a nightmare of survival as she uncovers twisted secrets in her family’s history and the unsettling intentions behind their sinful generosity.
A desperate Hollywood film producer sets out to turn a popular play into a film. When members of the production are murdered, world-weary Inspector Stoppard and rookie Constable Stalker find themselves in the midst of a puzzling whodunit.
The Gray Man is CIA operative Court Gentry (Ryan Gosling), aka, Sierra Six. Plucked from a federal penitentiary and recruited by his handler, Donald Fitzroy (Billy Bob Thornton), Gentry was once a highly-skilled, Agency-sanctioned merchant of death. But now the tables have turned and Six is the target, hunted across the globe by Lloyd Hansen (Chris Evans), a former cohort at the CIA, who will stop at nothing to take him out. Agent Dani Miranda (Ana de Armas) has his back. He’ll need it.
Ryan Gosling is The Gray Man and Chris Evans is his psychopathic adversary in the Netflix/AGBO-produced thriller directed by Anthony and Joe Russo, starring Ana de Armas, with Regé-Jean Page, Billy Bob Thornton, Jessica Henwick, Dhanush, Wagner Moura and Alfre Woodard. Based on the novel The Gray Man by Mark Greaney, the screenplay is by Joe Russo, Christopher Markus and Stephen McFeely. The producers are Joe Roth, Jeffery Kirschenbaum, Joe Russo, Anthony Russo, Mike Larocca and Chris Castaldi. Executive producers are Patrick Newall, Christopher Markus, Stephen McFeely, Jake Aust, Angela Russo-Otstot, Geoff Haley, Zack Roth, and Palak Patel.
In Bullet Train, Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug’s latest mission puts him on a collision course with lethal adversaries from around the globe – all with connected, yet conflicting, objectives – on the world’s fastest train…and he’s got to figure out how to get off. From the director of Deadpool 2, David Leitch, the end of the line is only the beginning in a wild, non-stop thrill ride through modern-day Japan.
Teen best friends Cecilia and Emma, after a decade run into each other. Cecilia is invited on Emma’s bachelorette weekend where she gets stuck in a remote cabin with her high school bully with a taste for revenge.
A group of mercenaries attack the estate of a wealthy family on Christmas Eve, and Santa must save Christmas.
Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.
While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause.
But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise?
The saga of Michael Myers and Laurie Strode ends.
Fifteen years after murdering his sister on Halloween night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield to kill again.