The Drover’s Wife The Legend of Molly Johnson is a reimagining of Leah Purcell’s acclaimed play and Henry Lawson’s classic short story. A searing Australian western thriller asking the question: how far do you go to protect your loved ones?
Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 year old woman, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.
Fresh from taking out the Grand Prix award at Cannes, widely celebrated two-time Academy Award winning Iranian director Asghar Farhadi is back with a new complex morality tale that many are calling his best since the Oscar Winning A Separation.
A richly textured take on gossip, social media and public perception, A HERO follows Rahim (the brilliant Amir Jadidi) a down and out calligrapher who is stuck in prison for a debt he is unable to pay. When he is unexpectedly granted a two-day release, Rahim is presented with a golden opportunity to pay off his debt and secure his freedom.
But much like life itself, things don’t go as planned. In what is a Farhadi house style, moral conundrums suddenly abound. One simple decision sees Rahim celebrated, but quickly people, including importantly his creditor, begin to question the humble prisoner’s story. Tense, unpredictable and darkly funny, the drama that ensues is vintage Farhadi – all the way to the final scene. A frequent entry in many major outlet’s top 10 lists, the master auteur has once again made one of the most eagerly anticipated cinematic gems of the year.
Ugyen, a schoolteacher in his final year of training, has been sent to the remote town of Lunana in northern Bhutan. He must brave the high altitude, a lack of amenities and a brutal winter.
Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored with him and decides to seduce his best friend, Mark. From there, nothing will be the same again.
Two women, Janis and Ana, coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatised. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way.
In a near future, a family reckons with questions of love, connection, and loss after their A.I. helper unexpectedly breaks down.
From the best-selling novel comes a captivating mystery. Where the Crawdads Sing tells the story of Kya, an abandoned girl who raised herself to adulthood in the dangerous marshlands of North Carolina. For years, rumours of the “Marsh Girl” haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, Kya opens herself to a new and startling world; but when one of them is found dead, she is immediately cast by the community as the main suspect. As the case unfolds, the verdict as to what actually happened becomes increasingly unclear, threatening to reveal the many secrets that lay within the marsh.
Where the Crawdads Sing stars Daisy Edgar-Jones (Normal People) as “Kya Clark,” Taylor John Smith (Sharp Objects) as “Tate Walker,” Harris Dickinson (The King’s Man) as “Chase Andrews,” Michael Hyatt (Snowfall) as “Mabel,” Sterling Macer, Jr. (Double Down) as “Jumpin’,” and David Strathairn (Nomadland) as “Tom Milton.” Olivia Newman (First Match) directs the screenplay by Lucy Alibar (Beasts of the Southern Wild) based upon the novel by Delia Owens. The 3000 Pictures film is being produced by Reese Witherspoon and Lauren Neustadter.
ALI & AVA: Sparks fly after ALI and AVA meet through their shared affection for Sofia, the child of Ali’s tenants whom Ava teaches. Ali finds comfort in Ava’s warmth and kindness while Ava finds Ali’s complexity and humour irresistible. As the pair begin to form a deep connection they have to find a way to keep their newfound passion from being overshadowed by the stresses and struggles of their separate lives and histories.
Enveloped in music, humour and emotion, ALI & AVA is a heartfelt contemporary love story written and directed by BAFTA-nominated Clio Barnard (The Arbor, The Selfish Giant).
DR. WHO AND THE DALEKS and DALEKS’ INVASION EARTH 2150 A.D. will be released as a double bill in cinemas on July 10th.
Released initially in 1965 and 1966 and directed by Gordon Flemyng, these two films, shot in glorious Technicolor, have been regenerated in out-of-this-world 4K and are the perfect collector’s item for Doctor Who and sci-fi fans. The films, which are to date the only big-screen outings for the Doctor, also boast a beloved supporting cast including Bernard Cribbins, Roberta Tovey, Roy Castle and Jennie Linden.
DR. WHO & THE DALEKS (1965) was the first big screen film adaptation of British TV’s most iconic sci-fi hero, and the first time Doctor Who was ever seen in colour. Having invented the TARDIS, a strange machine capable of travelling into other dimensions, the Doctor and his three young accomplices set forth on a quest through time and space. Their journey takes them into the dark, undiscovered depths of the universe and to the planet of Skaro, a primitive world devastated by nuclear war and populated by two warring species, a peaceful tribe known as Thals and a life form heavily mutated by radiation, encased in protective machines, a merciless force of destruction known as The Daleks!
The second film, DALEKS’ INVASION EARTH 2150 A.D sees Cushing return to the big screen – the future of Planet Earth now belongs to The Daleks, but deep within the London Underground a group of resistance freedom fighters are planning an attack. Can The Doctor help them succeed in destroying their extra-terrestrial enemies and take back control of Earth?
On a warm spring day in 1924, housemaid and foundling Jane Fairchild (Odessa Young) finds herself alone on Mother’s Day. Her employers, Mr and Mrs Niven (Colin Firth and Olivia Colman), are out and she has the rare chance to spend quality time with her secret lover, Paul (Josh O’Connor), the boy from the manor house nearby who is Jane’s long-term love despite the fact that he’s engaged to be married to another woman, a childhood friend and daughter of his parents’ friends. But events that neither can foresee will change the course of Jane’s life forever.
From award-winning creator, Julian Fellowes comes the motion picture event DOWNTON ABBEY: A NEW ERA. The much-anticipated cinematic return of the global phenomenon reunites the beloved cast as they go on a grand journey to the South of France to uncover the mystery of the Dowager Countess’ newly inherited villa.